scar :: essays research papers

f one looks underneath the profanity and sensed brutal violence of Scarface, they will find an admirable all-round gesture picture. However, for those who have an open mind and are unwilling to dig deep, Scarface is muted one cool film. Antonio Tony Montana (Al Pacino) has just arrived from Cuba along with his friend Manolo tool (Steven Bauer) and about 125 000 other Cubans. It seems Fidel Castro has opened a Cuban sort allowing Cubans to go to the United States. Unbeknownst to the U.S. though, Castro has secretly cleared his jails and included prisoners with the refugees (guess what concourse Tony and Manolo belong to, *wink wink*). Tony is an ambitious person he wants the world. He always says what is on his mind and does not let people distinguish advantage of him. His attitude eventually lands him a job with Drug noble Frank Lopez (Robert Loggia). Lopez immediately takes a liking to Tony, who takes a liking to Lopezs trophy girlfriend Elvira (Michelle Pfeiffer). Lopez is not greedy he is happy with the arouse of his business, but less happy with Elviras cocaine dependency.As Scarface progresses, it expand Tonys rise in the drug business as come up as his relationships with his partner Manolo, his sister Gina (Mary Elizabeth Mastrantonio) -of whom he is overprotective- and Elvira.Scarface is loosely based on the original 1932 Scarface (directed by Howard Hawks and based on real life gangster Al Capone). The talented Brian De Palma (Carrie, 1976) directs the remake, written by another renowned director Oliver Stone (Midnight Express, 1978). Stone deserves real credit for his gritty to that extent accurate depiction of the drug industry. Stone, who was himself struggling with a cocaine addiction at the time, interviewed both Law Enforcement officials and drug dealers before writing his script. The lose of positive character references and an unconventional ending is also praiseworthy since it makes this film into an unpredictable Hollywood m ovie.Brian De Palmas direction in this film is slick. While the plan is very violent, the movie shows only some of this violence. De Palma expertly cuts the camera out from some scenes at the last second, showing us the actors reaction rather than the deed.Visually the movie uses bright colours, with a focus on neon and whites. While this sounds contrary to the dark nature of the characters actions, it fits nicely with the colours of Miami and its people.